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Я шокирован отказом Израиля предоставить Украине ПВО - Зеленский

Redhead
EnglishRose

Сообщений: 11452

00:01 27.09.2022

Fackel (Fackel) писал (а) в ответ на сообщение:

> Здрасьте. «Пинк Флойд» основные — это самый конец 1960-х и до конца 1970-х, как тебе правильно сказали. У нас ведь все альбомы есть, давно.
>
quoted1

Да и я их в детстве слушала, у меня их отец слушал, многие люди их слушали в СССР даже, хоть они были и запрещенны. Пинк Флойд — уникальная группа. В том плане — что с одной стороны — рок группа, с другой — классикой там прет везде, все концерты их — с классическим оркестром.
В разное время Пинк Флойд был под разным руководством, Уотерс, потом Гилмор.

Интернациональный успех начался под руководством Гилмор.

1967−1978: Transition and international success
1967: Replacement of Barrett by Gilmour
In December 1967, reaching a crisis point with Barrett, Pink Floyd added guitarist David Gilmour as the fifth member.[63][nb 15] Gilmour already knew Barrett, having studied with him at Cambridge Tech in the early 1960s.[15] The two had performed at lunchtimes together with guitars and harmonicas, and later hitch-hiked and busked their way around the south of France.[65] In 1965, while a member of Joker's Wild, Gilmour had watched the Tea Set.[66]

Morrison's assistant, Steve O'Rourke, set Gilmour up in a room at O'Rourke's house with a salary of £30 per week (equivalent to £600 in 2021[25]). In January 1968, Blackhill Enterprises announced Gilmour as the band's newest member, intending to continue with Barrett as a nonperforming songwriter.[67] According to Jenner, the group planned that Gilmour would «cover for [Barrett's] eccentricities». When this proved unworkable, it was decided that Barrett would just write material.[68][nb 16] In an expression of his frustration, Barrett, who was expected to write additional hit singles to follow up «Arnold Layne» and «See Emily Play», instead introduced «Have You Got It Yet?» to the band, intentionally changing the structure on each performance so as to make the song impossible to follow and learn.[63] In a January 1968 photoshoot of Pink Floyd, the photographs show Barrett looking detached from the others, staring into the distance.[70]

Working with Barrett eventually proved too difficult, and matters came to a conclusion in January while en route to a performance in Southampton when a band member asked if they should collect Barrett. According to Gilmour, the answer was «Nah, let's not bother», signalling the end of Barrett's tenure with Pink Floyd.[71][nb 17] Waters later said, «He was our friend, but most of the time we now wanted to strangle him."[73] In early March 1968, Pink Floyd met with business partners Jenner and King to discuss the band's future; Barrett agreed to leave.[74]

Jenner and King believed Barrett was the creative genius of the band, and decided to represent him and end their relationship with Pink Floyd.[75] Morrison sold his business to NEMS Enterprises, and O'Rourke became the band's personal manager.[76] Blackhill announced Barrett's departure on 6 April 1968.[77][nb 18] After Barrett's departure, the burden of lyrical composition and creative direction fell mostly on Waters.[79] Initially, Gilmour mimed to Barrett's voice on the group's European TV appearances; however, while playing on the university circuit, they avoided Barrett songs in favour of Waters and Wright material such as «It Would Be So Nice» and «Careful with That Axe, Eugene».[80]